Sunday, March 26, 2023

Examining the achievements of Thutmose III: Using ChatGPT to provide more detail for existing articles


Relief depicting Thutmose III at Deir_el-Bahari courtesy of
Wikimedia Commons contributor Hedwig Storch

I have run a number of experiments using ChatGPT to analyze various aspects of ancient culture. My primary concerns have revolved around the sources ChatGPT has used for its training model. Its “provide references” feature appears to be more of a suggested reading list generated by using an “OR” search of keywords specified in your query. This procedure will generate a list of sources with at least some relationship to your query but not a list of sources with the specific context I require. So, I decided to take a different approach and begin my research with an existing article and see how much additional detail I could glean using ChatGPT. That way I begin with a known source and work from its already-defined topics. I read a solid article, Thutmoses III, Famed Warrior King of Ancient Egypt, written by Aleksa Vučković. I know enough about the major achievements of Thutmoses III and the famous battle of Megiddo to hopefully recognize inconsistencies in the responses generated by ChatGPT but I am not an expert on the topic. I don't know if Vučković had help from ChatGPT either but the points he raises are consistent with what I have learned from courses about ancient Egypt including a course entitled Superpowers of the Ancient Near East, Famous Battles of the Ancient World, and journal articles about Thutmose III. https://www.ancient-origins.net/hist.../thutmose-iii-0018105 I enjoy specific details, though, so I thought this piece would be a good one to use to examine the achievements of Thutmose III in more detail using ChatGPT. Although Thutmose III's reign officially began in 1479 BCE, he was only a child of two at the time he was crowned and his father's Great Royal Wife Hatshepsut served first as regent and later as pharaoh until Thutmose III reached the age of 25. Some of the technological achievements mentioned by ChatGPT could have been initiated during her rule (especially some of the building projects) rather than his independent rule but are credited to him by historical sources. But I was still impressed with the level of detail provided by the AI: Mary (opening query): What did the pharaoh Thutmosis III achieve during his reign? Thutmose III was one of ancient Egypt's greatest pharaohs, who ruled from around 1479 to 1425 BCE. During his reign, he accomplished several significant achievements, including: Military Conquests: Thutmose III was a great military leader who led several successful campaigns, expanding the Egyptian empire's boundaries to their greatest extent. He conducted numerous military campaigns, including the famous Battle of Megiddo, where he defeated a coalition of Canaanite kings. Building Projects: Thutmose III also carried out extensive building projects, including the construction of several temples and monuments throughout Egypt. One of his most famous buildings was the Great Temple of Amun at Karnak. Religious Reforms: Thutmose III also undertook several religious reforms, aimed at strengthening the position of the god Amun, who he believed had helped him in his military campaigns. As a result, Amun became one of the most powerful deities in the Egyptian pantheon. Cultural and Scientific Developments: Thutmose III was also a patron of the arts and sciences, and he commissioned many works of art, including statues and reliefs. He also supported the work of the great Egyptian astronomer, Amenemhet, who calculated the length of the year with remarkable accuracy. Overall, Thutmose III's reign was a time of great expansion and cultural achievement, which helped shape the course of ancient Egyptian history. – ChatGPT Mary: List the military campaigns of Thutmosis III. Thutmose III was a successful military commander who led numerous campaigns during his reign. Some of the most significant military campaigns of Thutmose III include: Campaign in Nubia (Year 22): In this campaign, Thutmose III led an army into Nubia, subduing several tribes and extending Egyptian control over the region. Campaign in Megiddo (Year 23): This was one of Thutmose III's most famous campaigns. He led an army through the coastal plain of Palestine, where he faced a coalition of Canaanite kings at Megiddo. Thutmose III emerged victorious, and this victory is considered one of the greatest military achievements in ancient Egyptian history. Campaign in Syria (Year 33): In this campaign, Thutmose III led his army to the Euphrates River, defeating the Mitanni and their allies, and bringing large portions of Syria under Egyptian control. Campaigns in Canaan and Palestine (Years 34-42): Thutmose III conducted a series of campaigns in Canaan and Palestine, establishing Egyptian dominance over the region and capturing several cities, including Gaza, Joppa, and Ashkelon. Campaign against the Hittites (Year 42): Thutmose III led an army into Syria to confront the Hittites, who had been causing problems for Egypt's Syrian vassals. Although the campaign did not result in a major battle, it helped to stabilize the region and secure Egyptian control over its territories. These campaigns helped establish Thutmose III as one of the greatest military leaders in ancient history and expanded the Egyptian empire's borders to their greatest extent. [Note: I read that ChatGPT has a built-in restriction on the amount of material to include in a response. This may be why only five of the 17 campaigns were listed.] Original article: "Over the course of 17 campaigns, most - if not all - of his enemies were subdued, the foremost being the Mitanni." Mary: Which enemies did Thutmose III fail to subdue? Thutmose III was a highly successful military leader who waged numerous campaigns throughout his reign, and he was able to conquer many of Egypt's enemies and expand its territory. However, there were a few enemies that he was not able to subdue completely. One of these enemies was the kingdom of Kadesh, which was located in modern-day Syria. Thutmose III waged several campaigns against Kadesh but was not able to conquer it completely. The city remained a thorn in Egypt's side for many years and was eventually conquered by Thutmose's successor, Amenhotep II. [Note: Amenhotep II, known for his physical prowess, is said to have singlehandedly killed 7 rebel Princes at Kadesh, which successfully terminated his first Syrian campaign.] Another enemy that Thutmose III was not able to subdue completely was the kingdom of Mitanni, which was located in modern-day northern Syria and eastern Anatolia. Mitanni was a powerful kingdom that posed a significant threat to Egypt's interests in the region, but Thutmose III was only able to secure a tenuous peace with them rather than defeating them completely. Despite these setbacks, Thutmose III is remembered as one of the greatest military leaders in ancient Egyptian history, and his reign saw Egypt reach the height of its power and influence in the ancient world. ChatGPT Original article: "His first successes began almost immediately after he assumed the throne: he led a campaign deep into modern-day Israel, where he won a masterful battle at Megiddo, defeating the King of Kadesh. With a daring move, he marched his armies to the rear of the Megiddo forces, crushing them decisively...Another contributing factor to Thutmose’s military success is a number of innovations and new technologies that placed him one step ahead of his enemies. Roughly two centuries before his time, Ancient Egypt came under the brief rule of the Hyksos, foreign invaders who brought with them new and never before seen tools and weapons. New unique swords were quickly absorbed by the Egyptians, as well as new forging techniques, as well as powerful two-wheeled war chariots. With all these innovations, the Egyptian army was well suited for conquest." Mary: What strategies were used by Thutmose III at the battle of Megiddo? The Battle of Megiddo was one of the most significant military campaigns of Thutmose III's reign, and it involved a complex set of strategies and tactics that allowed the Egyptian army to achieve a decisive victory over a coalition of Canaanite city-states. One of the key strategies used by Thutmose III at the Battle of Megiddo was the element of surprise. Rather than attacking the city directly, Thutmose III led his army on a long and difficult march through the mountains to the rear of the city, where they could attack from an unexpected direction. This allowed the Egyptian army to catch the Canaanite forces off guard and quickly overwhelm their defenses. Another important strategy used by Thutmose III was the coordination of different units within the Egyptian army. Thutmose III divided his forces into multiple units, each with its own specific objective. This allowed the Egyptian army to attack the city from multiple directions simultaneously, and it prevented the Canaanite forces from being able to focus their defense in any one area. In addition, Thutmose III made use of advanced weapons technology, including the newest and most advanced chariots, to gain a technological advantage over the Canaanite forces. The Egyptian chariots were faster and more maneuverable than those of the Canaanites, and they were equipped with advanced weaponry, such as composite bows and javelins. Overall, the Battle of Megiddo was won through a combination of careful planning, strategic positioning, and advanced weapons technology. Thutmose III was able to use his army's strengths to overcome the Canaanite defenses and achieve a decisive victory that solidified his power and influence in the region. – ChatGPT Mary: (exploring the "advanced weapons technology") What new forging techniques were introduced during the reign of Thutmose III? There is limited information available regarding specific forging techniques introduced during the reign of Thutmose III, but it is known that metallurgy was a highly advanced field during this time period. One of the key technological advancements in metallurgy during Thutmose III's reign was the development of a new type of high-quality bronze. This bronze, known as "hardest bronze," was made by adding arsenic to the alloy, which made it harder and more durable than previous bronze alloys. This new alloy was ideal for use in weapons and armor, and it helped to give the Egyptian army a significant technological advantage over its enemies. Thutmose III was a great patron of the arts, and he commissioned a large number of metal objects, including statues, jewelry, and ceremonial objects. These objects often incorporated intricate designs and patterns, which were created using a variety of techniques, such as engraving and inlay. One of the most notable examples of metalworking during Thutmose III's reign is the golden throne that he commissioned for his wife [should be Step Mother or Regent - the Great Royal Wife of his father], Queen Hatshepsut. The throne was made from a single sheet of beaten gold, and it was decorated with intricate designs and hieroglyphs. [This is an example of an event that probably occurred during the rule of Hatshepsut and not under the actual reign of the adult Thutmose III] Overall, the reign of Thutmose III saw significant advancements in metallurgy, particularly in the development of new alloys and the refinement of metalworking techniques. These advancements helped to establish Egypt as a center of metalworking and decorative arts in the ancient world. Mary: Did the design of swords change during the reign of Thutmose III? There is limited information available about the specific changes to the design of swords during the reign of Thutmose III. However, it is known that metallurgy and weapons technology were highly advanced during this time period, and the Egyptian army was renowned for its mastery of weapons and tactics. During the New Kingdom period, the Egyptian army made use of a wide range of weapons, including swords, axes, spears, and bows. These weapons were made from a variety of materials, including copper, bronze, iron, and wood, and they were often decorated with intricate designs and hieroglyphs. One of the most famous swords from ancient Egypt is the "Khopesh," which was a curved sword with a sickle-shaped blade. The Khopesh was primarily used for slashing and chopping, and it was particularly effective at disarming opponents by hooking their weapons with the curved blade. It is possible that the design of swords and other weapons may have evolved over time, as new materials and techniques were developed. However, there is limited information available about the specific changes that may have occurred during the reign of Thutmose III. Overall, the Egyptian army was renowned for its mastery of weapons technology, and their weapons were highly effective in battle. The design of swords and other weapons may have evolved over time, but the specifics of these changes are not well documented. – ChatGPT Mary: Was the khopesh sword used by common Egyptian warriors? The khopesh sword was primarily used by elite warriors and members of the nobility in ancient Egypt, rather than by common soldiers. It was a prestigious weapon, and its distinctive shape and design made it an icon of Egyptian warfare. The khopesh sword was a symbol of authority and power, and it was often depicted in ceremonial contexts, such as in depictions of pharaohs and other high-ranking officials. However, it was also a functional weapon, and it was highly effective in battle. [Note: the ceremonial nature of the khopesh sword was discussed at length in the course “Superpowers of the Ancient Near East.”] While the khopesh sword was not typically used by common soldiers, there were other types of swords and weapons that were more commonly used by the Egyptian army. These included straight swords, spears, axes, and bows, which were used by soldiers of all ranks. The use of the khopesh sword was primarily limited to the New Kingdom period, which lasted from around 1550 BCE to 1077 BCE. It was a unique weapon that reflected the sophistication and innovation of Egyptian weapons technology during this time period. – ChatGPT Mary: Did the Hyksos introduce the khopesh sword? The origins of the khopesh sword are not entirely clear, and there is some debate among historians about where and when it first emerged. The khopesh sword is a distinctive weapon with a curved blade that was used in ancient Egypt during the New Kingdom period. It is possible that the Hyksos, who were a group of foreign invaders who ruled Egypt for a time during the Second Intermediate Period, introduced the khopesh sword to the Egyptians. The Hyksos were known for their advanced military technology and tactics, and they may have brought new weapons and equipment with them when they invaded Egypt. However, there is also evidence to suggest that the khopesh sword existed in Egypt prior to the Hyksos invasion. Some historians believe that the khopesh was an adaptation of earlier Egyptian swords and sickle-shaped knives, which were used for hunting and ritual purposes. Regardless of its origins, the khopesh sword became a signature weapon of the New Kingdom period, and it was used by Egyptian soldiers and generals in battle. Its distinctive shape and design made it a highly effective weapon in close combat, and it is remembered as one of the most iconic weapons of ancient Egypt. – ChatGPT Mary: How did Egyptian swords differ from the swords used by the Hyksos? The swords used by the ancient Egyptians and the Hyksos invaders were quite different in terms of their design and construction. The swords used by the ancient Egyptians were typically straight and double-edged, with a long, narrow blade and a straight hilt. These swords were often made from bronze or copper, although some were also made from iron later on. In contrast, the swords used by the Hyksos were typically curved and single-edged, with a shorter blade and a curved hilt. These swords were often made from bronze or a composite of bronze and iron, which made them stronger and more durable than the Egyptian swords. The Hyksos swords were also designed for use on horseback, as the Hyksos were skilled horsemen and used their horses to devastating effect in battle. The curved design of their swords allowed them to deliver powerful slashing attacks while riding on horseback, which gave them a significant advantage over their opponents. Overall, the swords used by the ancient Egyptians and the Hyksos were quite different in terms of their design and construction, and each type of sword was suited to the specific needs and tactics of its respective army. – ChatGPT Mary: Were changes made to chariot design during the reign of pharaoh Thutmose III? Yes, during the reign of Pharaoh Thutmose III, changes were made to the design of chariots in ancient Egypt. Thutmose III was known for his military campaigns and his innovative tactics, and he recognized the importance of having a fast and maneuverable chariot in battle. One of the significant changes made to chariot design during his reign was the use of a lightweight, two-wheeled chariot instead of the traditional four-wheeled chariot. The two-wheeled chariot was more maneuverable, allowing the Egyptian army to outflank and outmaneuver their enemies. Additionally, the lightweight design of the two-wheeled chariot made it faster and more agile, which gave the Egyptian army an advantage in battle. Thutmose III was also responsible for the development of new tactics and training methods that maximized the effectiveness of the chariot. He trained his troops to use the chariot as a mobile platform for archery, allowing them to rain arrows down on their enemies from a distance. He also utilized the chariot as a shock weapon, charging into enemy lines to break them up and create openings for his infantry to exploit. Overall, the changes made to chariot design and tactics during the reign of Thutmose III helped to make the Egyptian army one of the most formidable fighting forces of the ancient world. – ChatGPT Mary: How did the chariots used by Thutmose III differ from the original chariots introduced by the Hyksos? The chariots used by Thutmose III were different from the original chariots introduced by the Hyksos, who had invaded and conquered Egypt in the Second Intermediate Period. While the Hyksos chariots were an important innovation in warfare, they were heavy and cumbersome, designed for use on the flat plains of the Near East. The chariots used by Thutmose III were a significant improvement over the Hyksos chariots. They were lightweight and designed for speed and maneuverability, making them ideal for use in the rough terrain of Egypt. They had a simple but effective design, with a lightweight frame made from wood and leather, and a pair of spoked wheels with bronze rims. The chariot was pulled by two horses, which were harnessed in tandem to provide maximum speed and agility. Thutmose III's chariots were also equipped with a quiver for holding arrows, and the charioteer would use a composite bow to shoot arrows at the enemy. The charioteer also had a shield and a short sword for close combat. Overall, the chariots used by Thutmose III were a significant improvement over the original Hyksos chariots. They were faster, lighter, and more maneuverable, making them ideal for use in the challenging terrain of Egypt. The new chariot design and tactics helped the Egyptian army to become one of the most formidable fighting forces of the ancient world. – ChatGPT Original article: "Luckily, we know a lot about Thutmose’s military achievements because of fairly detailed records that survive. Many of his triumphs were inscribed onto the walls of the Temple of Amun in Karnak, accompanied by stunning reliefs of the king subduing his enemies. Furthermore, Thutmose had a royal scribe and a loyal commander, Thanuny, [also known as Tjaneni] who kept meticulous records of his king’s campaigns. Fragments of these scripts allowed us a greater insight into methods of ancient warfare and strategy." Mary: Which type of troops did Thanuny command? Thanuny was an Egyptian general who served during the reign of pharaoh Thutmose III. He is best known for his military campaigns in Nubia and his role in the Battle of Megiddo. According to the inscriptions at Karnak, Thanuny commanded a unit of elite troops known as the "Sherden," which were a group of highly trained and skilled warriors who served as the personal bodyguard of the pharaoh. The Sherden were known for their bravery and ferocity in battle, and they were often used as shock troops in the front lines of the Egyptian army. [Note: The Sherden, possibly Akkadian, were one of the groups of sea peoples who were active in the eastern Mediterranean during the Late Bronze Age, and they were known for their maritime skills and prowess as warriors. They were known to hire out as mercenaries. A further query about these troops, however, included the statement “The role of the Sherden in Thanuny's campaigns is not specifically documented, but it is likely that they played an important role in the Egyptian army's efforts to maintain control over the eastern Mediterranean region.” This would seem to contradict the statement that the inscriptions at Karnak recorded a unit of elite troops known as the Sherden that were commanded by Thanuny. According to N. Grimal’s “A History of Ancient Egypt, pp. 250-253, the first certain mention of the Sherden is found in the records of Ramesses II (ruled 1279-1213 BCE), who defeated them in his second year (1278 BCE) when they attempted to raid Egypt's coast. The pharaoh subsequently incorporated many of these warriors into his personal guard. Ramesses II was a later New Kingdom pharaoh although these “Sea Peoples” had been appearing in fragmentary historical and iconographic records (ancient Egyptian and Ugaritic) from the Eastern Mediterranean since the 2nd millennium BCE. According to Jeffrey P. Emanuel in his article "Sherden from the Sea: The arrival, integration, and acculturation of a Sea People".Journal of Ancient Egyptian Interconnections. 5 (1): 14–27, the earliest known mention of the Sherden is in correspondence between Rib-Hadda, mayor (hazannu) of Byblos, to the Pharaoh Amenhotep III known as Akhenaten in the 14th century BCE. But, it is plausible] In addition to commanding the Sherden, Thanuny also led a larger contingent of soldiers, which included charioteers, archers, and infantry. His troops were well-trained and well-equipped, and they played a crucial role in the Egyptian victories in Nubia and at the Battle of Megiddo. Overall, Thanuny was a highly respected and skilled commander who played a key role in the military campaigns of Thutmose III. His leadership of the Sherden and other elite troops helped to secure the pharaoh's power and influence in the region, and he is remembered as one of the most important generals of the New Kingdom period. – ChatGPT Mary: How were the Sherden armed? The Sherden were a group of elite warriors who served as the personal bodyguard of the pharaoh during the New Kingdom period of ancient Egypt. They were known for their bravery and skill in battle, and they played a crucial role in securing the power and influence of the pharaoh. According to historical records and artistic depictions, the Sherden were typically armed with a variety of weapons, including: Swords: The Sherden were known for their proficiency with swords, and they often carried curved swords, such as the khopesh, which were highly effective in close combat. Shields: The Sherden carried large shields made of wood or animal hide, which provided protection against enemy attacks. Axes: The Sherden were also known to carry battle axes, which were used for both offense and defense. Javelins: The Sherden were skilled at throwing javelins, which were used to weaken enemy formations and disrupt their defenses. Bows: Some Sherden were also trained in the use of the bow and arrow, which could be used for both long-range attacks and for hunting. Overall, the Sherden were highly skilled and versatile warriors who were armed with a variety of weapons that allowed them to adapt to different combat situations. Their skill and bravery made them a highly respected and feared unit within the Egyptian army. – ChatGPT Original article: "Thutmose III was also inclined to spur other developments within Egypt as well. New construction projects were begun, and new technologies mastered. Glass-making was refined, and a number of new lavish buildings were raised in Karnak. Several monumental obelisks from this time also survive." Mary: How did glass-making change during the reign of Thutmose III? During the reign of Thutmose III, there were significant advancements in glass-making technology in ancient Egypt. Glass had been produced in Egypt since the late third millennium BCE, but it was during the New Kingdom period that the technology for making glass was significantly improved. One of the most significant changes in glass-making during Thutmose III's reign was the development of a new technique for producing colored glass. Prior to this, colored glass was made by adding metallic oxides to the glass mixture, but this resulted in only a limited range of colors. The new technique involved melting together different colored glass rods to create a patterned effect, which allowed for a wider range of colors and designs. Another innovation in glass-making during Thutmose III's reign was the use of molds to create more complex shapes and designs. This allowed glassmakers to produce intricate vessels and figurines, which were highly prized for their beauty and craftsmanship. Thutmose III was a patron of the arts, and he commissioned a large number of glass objects, including vessels, figurines, and jewelry. Many of these objects were highly decorative, and they often incorporated intricate designs and patterns, which were created using the new techniques of glass-making. Overall, the advancements in glass-making during Thutmose III's reign helped to establish Egypt as a center of glass production in the ancient world. The development of new techniques and technologies helped to expand the range of colors and designs available to glassmakers, and this had a significant impact on the decorative arts of the time. Mary: List the Building projects of the pharaoh Thutmose III. Thutmose III was not only a successful military leader but also a prolific builder. He commissioned many building projects throughout Egypt, including: Great Temple of Amun at Karnak: Thutmose III made significant additions to the temple of Amun at Karnak, including the Festival Hall, which was used for religious celebrations. Temple of Mut at Karnak: Thutmose III built the Temple of Mut at Karnak, dedicated to the goddess Mut, the wife of Amun. Temple of Montu at Armant: Thutmose III expanded the Temple of Montu at Armant, dedicated to the god of war, Montu. The Ramesseum: Thutmose III began construction on the Ramesseum, a temple complex dedicated to his grandfather, Ramesses I. Palace at Malkata: Thutmose III built a palace at Malkata, located on the west bank of the Nile. The palace was used for the pharaoh's summer residence. Tomb in the Valley of the Kings: Thutmose III built a tomb for himself in the Valley of the Kings, although he was eventually buried elsewhere. These building projects demonstrate Thutmose III's commitment to promoting Egyptian culture and religion and his desire to leave a lasting legacy for future generations. – ChatGPT Mary: Describe the religious reforms of Thutmosis III. Thutmose III is known for his religious reforms, which aimed to promote the god Amun's worship and elevate his position within the Egyptian pantheon. Some of the key religious reforms of Thutmose III include: Promoting the Cult of Amun: Thutmose III believed that Amun had aided him in his military campaigns, and so he sought to promote the god's worship throughout Egypt. He commissioned many temples dedicated to Amun and encouraged his subjects to worship the god. Consolidating the Power of the Priesthood: Thutmose III recognized the power of the priesthood in Egypt and sought to consolidate their power under the authority of the pharaoh. He granted many privileges to the priests of Amun and appointed high-ranking officials to oversee religious affairs. Encouraging Pilgrimage: Thutmose III encouraged pilgrimage to the major religious centers throughout Egypt, including the temple of Amun at Karnak. He believed that these pilgrimages would help to reinforce the religious and cultural unity of the country. Establishing Religious Festivals: Thutmose III established many religious festivals, including the Beautiful Festival of the Valley, which was held annually to celebrate the New Year and the rejuvenation of the land. Overall, Thutmose III's religious reforms aimed to promote the worship of Amun and to strengthen the authority of the pharaoh over religious affairs. His efforts helped to solidify the power of the priesthood and reinforce the central role of religion in Egyptian culture. Mary: What scientific developments occurred during the reign of Thutmosis III? During the reign of Thutmose III, there were no significant scientific developments in the modern sense of the term. However, there were some notable advancements in fields such as astronomy, mathematics, and medicine. Some of these developments include: Astronomy: Egyptian astronomers during the time of Thutmose III were able to calculate the length of the solar year to within a few minutes. They also tracked the movements of the stars and planets, which they believed had a significant impact on human affairs. Mathematics: Egyptian mathematicians during the time of Thutmose III used a decimal system based on ten, as well as fractions and basic algebra. They were also able to calculate areas and volumes of various shapes. Medicine: Egyptian physicians during the time of Thutmose III made significant advances in medicine. They were skilled in treating injuries and illnesses and used a wide variety of remedies, including herbal medicines and surgical procedures. Technology: During the reign of Thutmose III, the Egyptians continued to develop their technology, including improvements in metalworking, construction techniques, and agriculture. While these advancements may not seem significant by modern standards, they represented an important step forward for ancient Egyptian society and helped to lay the groundwork for future scientific developments. Mary: Were there changes in art styles during the reign of Thutmose III? Yes, there were significant changes in art styles during the reign of Thutmose III. Thutmose III's reign is known as the "Golden Age" of Egyptian art, and it saw a flowering of artistic creativity and innovation. One of the most significant changes in art styles during Thutmose III's reign was the introduction of a more naturalistic and realistic style of representation. This is particularly evident in the depictions of the pharaoh himself, which show him in a more lifelike and dynamic way than in previous periods. Another innovation in art during Thutmose III's reign was the development of the "Amarna style," which was characterized by a more relaxed and informal approach to representation. This style is best exemplified by the famous bust of Queen Nefertiti, which shows her in a more naturalistic and intimate way than previous depictions of royalty. [Note: this occurred during the New Kingdom but not during the reign of Thutmose III] Thutmose III was also responsible for commissioning a large number of public monuments and works of art, which helped to promote his image as a powerful and successful ruler. These included colossal statues, obelisks, and temple reliefs, many of which were decorated with elaborate scenes depicting the pharaoh's military campaigns and religious activities. Overall, the changes in art styles during the reign of Thutmose III helped to usher in a new era of creativity and innovation in Egyptian art, which would continue to influence artists and sculptors for centuries to come. I am still amazed by the level of detail and volume of information ChatGPT provided. The few "hiccups" I pointed out are relatively minor and, for the most part, were included because Thutmose III ruled during the New Kingdom so ChatGPT supplied the information because the beginnings of new innovations are not always clear. Now if they would just give us footnote references!

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Sunday, July 18, 2021

The Storm God of the Hatti then Hittite

During the early Bronze Age the Hatti, who were neither Semitic nor Indo-European, inhabited central Anatolia. They were actually distinct from the Hittite but as the Hittite expanded beginning about 2000 BCE, the Hatti were gradually absorbed into the Hittite political and social order. 

The Hatti were organized in monarchical city-states. These states were ruled as theocratic kingdoms or principalities. Hatti regions of Anatolia came to be influenced by mighty Mesopotamian polities, in the form the Akkadian Empire (24th-22nd century BCE) and the succeeding Old Assyrian Empire (21st-18th century BCE), both of which set up trading colonies called karum, located throughout eastern and central Anatolia. During the first centuries of the 2nd millennium BCE, an Assyrian trade colony existed in the city of Hattush, and several Assyrian inscriptions mention the existence of local rulers (kings) of Hattush, also referring to their relations with other city-states in the region.

Fortunately, a few fragments of text in the language of the Hatti were discovered among the Hittite archives. Their language  is now believed by some scholars to be related to the Northwest Caucasian language group.

The Hatti worshiped a mother goddess Kattahha (or Hannahanna) who gave birth to the storm-god Taru represented by a bull. The Hittites subsequently adopted much of the Hatti pantheon.  Taru was adopted as Tarhunt and referred to as 'The Conqueror', 'The king of Kummiya', 'King of Heaven', and 'Lord of the land of Hatti.'  His image was paraded through the streets at the festivals of Puruli in the spring, the Nuntarriyashas festival in the autumn, and the Ki Lam festival of the gate house.

The Puruli festival celebrates the battle between the dragon Illuyanka and the Storm God. Initially the Storm God is defeated by the serpent. The Storm God then goes to the Hatti goddess Inaras for advice. Having promised to sleep with a mortal named Hupasiyas in return for his help, she devises a trap for the dragon. She goes to him with large quantities of food and drink and entices him to drink his fill. Once drunk, the dragon is bound by Hupasiyas with a rope. Then the Storm God appears with the other gods and kills the dragon.

In an alternative version of the myth, the dragon takes the Storm God's eyes and heart when he initially vanquishes the Storm God. To avenge himself upon the dragon, the Storm God marries the daughter of a poor man. They have a son, who grows up and marries the daughter of the dragon Illuyanka. The Storm God tells his son to ask for the return of the Storm God's eyes and heart as a wedding gift and he does so. His eyes and heart restored, the Storm God goes to face the dragon Illuyanka once more. At the point of vanquishing the dragon, the Storm God's son finds out about the battle and realizes that he had been used for this purpose. He demands that his father take his life along with Illuyanka's and so the Storm God is forced to kill them both.

Standard with two long-horned bulls, 2300-2000 BCE, Hattian, now in the collections of the Metropolitan Museum of Art in New York City, image courtesy of the museum.

Vessel terminating in the forepart of a bull, Hittite, 14th-13th century BCE, Silver, now in the collections of the Metropolitan Museum of Art, image courtesy of the Museum and Wikimedia Commons.

Silver bull figure from Alacahöyük, 2300 BCE, now in the collections of the British Museum, image courtesy of Wikimedia Commons contributor Ollios.

Vase with bull protome, first quarter of 2nd millenium, now in the collections of the Museum of Anatolian Civilizations, courtesy of Wikimedia Commons contributor Homonihilis.



Ceremonial vessels in the shape of a team of sacred bulls made of baked clay, called Hurri (Day) and Seri (Night), Hittite Old Kingdom, 16th century BCE, Museum of Anatolian Civilizations, Ankara, Turkey, image courtesy of Wikimedia Commons contributor Georges Jansoone.

Depiction of the myth of the Sky God (in human form) killing the dragon Illuyankas, Neo-Hittites, 850-800 BCE, from the Lions Gate at Malitiya, now in the collections of the Museum of Anatolian Civilizations, Ankara, Turkey, image courtesy of Wikimedia Commons contributor Georges Jansoone.


 

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Thursday, July 15, 2021

Were women dominant in Minoan society?

 Art historian Christopher L. C. E. Witcombe points out there is plenty of archaeological evidence to indicate that women occupied an important if not dominant position within the practice of Minoan religion and possibly the entire society as well. In scenes of ritual worship, women appear to dominate the proceedings and far outnumber male priests and attendants.

"Moreover men are rarely seen in commanding positions, despite attempts to identify them in such positions," Witcombe says. "Even the lifesize male figure in the reconstructed frescoed stucco relief at Knossos which Evans identified as the "Priest-King" is now believed to be made up of fragments of several different figures. The only thing that seems relatively certain is that one or more of the figures was male."

He also observes that typical evidence of a male-dominated society in the second millennium including walled citadels, fortifications, temples to gods, large public sculpture and boastful inscriptions are essentially absent.

When Sir Arthur Evans found fragments of faïence figurines, one which he dubbed the "snake goddess," in 1903, he asserted it was clear from the evidence that the Minoan religion was based on a dominant goddess of fertility just as described by James Frazer in his text "The Golden Bough" that had been published in 1890.

"Part of the attraction of the figurines is that they can be interpreted as embodying many of the perceived, and admired, characteristics of the Minoans: their elegant, fashionable costumes, their physical gracefulness, their sensitive yet forthright personalities, their sophisticated tastes and love of luxury, their refined manners and worldly ways, their seemingly high intelligence combined with an endearing forthright innocence, and their apparent love of beauty, nature, and peace," says Witcombe.

What I was surprised to learn is that the figurine widely known as the "Snake Goddess" was categorized by Evans as just a votary. The figurine he called the "Snake Goddess" wore a tall hat and stood with her arms extended out and down with palms up. She grasps the head of a snake in her right hand and it winds up the upturned flat underside of her forearm  over her right shoulder, down one side of her back, over her buttocks, up the other side, over her left shoulder, and down her right arm.  A second snake is looped over her right ear and winds down over her right shoulder following the curve of her exposed breast continues down below her waist, then loops back up the left side of her torso, up in front of her left ear, and up her tall hat to the apex. A third snake entwines her waist. Only her torso, right arm, head, and her hat (except for a portion at the top) were found.

The figurine now known as the "Snake Goddess"  was missing its head, most of its hat, the right arm, the lower part of the snake held in the right hand, and large segments of the flounced skirt. It is assumed Evans used images of women in Minoan frescoes to fashion a new head.

Read much more about Minoan Women and the Snake Goddess here: http://arthistoryresources.net/snakegoddess/discovery.html

Reproductions of restored faience figurines that Sir Arthur Evans found in the Temple Repositories of Knossos, Crete. The figurine on the left was originally dubbed the "Snake Goddess" by Evans while the figurine on the right is the one most recognized today as the Minoan "Snake Goddess". I photographed these figurines at the Ashmolean Museum in Oxford.

Figurine of Female Worshiper, Minoan, 1600-1500 BCE, in the collections of the Cleveland Museum of Art, Cleveland, Ohio, image courtesy of the museum. This extremely rare Minoan bronze statuette represents a girl worshiping a deity. It was probably left as a dedication to a divinity. She wears a flounced skirt over a sleeved robe open at the front. The figure shows a remarkable degree of detail, including looped earrings, bracelets, and a necklace. Her shaved hairstyle, not found on any other Minoan bronze statuette, matches that of painted figures in roughly contemporary frescoes uncovered on the island of Thera, north of Crete. Its excellent condition, rarity, fine detail, and balanced proportions set it apart from other statuettes of its type to have survived.

Minoan girl from the fresco "The Saffron Gatherers" in Akrotiri, 1600-1500 BCE, courtesy of Wikimedia Commons contributor Yann Forget

Closeup of Minoan girl from the fresco "The Saffron Gatherers" in Akrotiri, 1600-1500 BCE, courtesy of Wikimedia Commons

Closeup of Minoan lady from Room 1 of the House of the Ladies in Akrotiri courtesy of Wikimedia Commons contributor ArchaiOptix 

Minoan lady from Room 1 of the House of the Ladies in Akrotiri courtesy of Wikimedia Commons contributor ArchaiOptix 

Fresco from room 1 (“vestibule”) in the “House of the Ladies” of the excavation site near Akrotiri (Santorin) in the Prehistoric Museum of Thira, Santorin (Thira), Cyclades, Greece, courtesy of Wikimedia Commons contributor Olaf Tausch

Closeup of Fresco from room 1 (“vestibule”) in the “House of the Ladies” of the excavation site near Akrotiri (Santorin) in the Prehistoric Museum of Thira, Santorin (Thira), Cyclades, Greece, courtesy of Wikimedia Commons contributor Olaf Tausch

Fresco of a priestess from the passage from room 4 to room 5 on the upper floor of the west house of the excavation site in Akrotiri on Santorini, Cyclades, Greece, courtesy of Wikimedia Commons

Fresco of the so-called Parisian woman from the Palace of Knossos (1450–1350 / 1300 BCE), exhibited in the Heraklion Archaeological Museum, Crete, Greece courtesy of Wikimedia Commons contributor Olaf Tausch


 

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